In celebration of Singapore’s 60th year of independence, The Private Museum is proud to present The Art of Lee Boon Ngan: Celebrating 60 Years of Singapore through the Love of Chua Mia Tee & Lee Boon Ngan, a landmark exhibition honouring the love and legacy of two Singaporeans who have dedicated their lives to art and nation.
While her husband, Cultural Medallion recipient Chua Mia Tee, is widely recognised for his contributions to Singapore’s national visual identity through his realist paintings, Lee remained the steadfast and quiet strength of the family as a wife and mother—while continuing to pursue her practice, and secured her spot alongside Chua as an artist in her own right. This exhibition centres her story, highlighting her unwavering commitment to her practice across decades, a profound devotion to artistic expression and excellence while finding fulfilment in her role meeting needs and nurturing familial bonds.
This exhibition is a poignant tribute to dedication and resilience, featuring rarely seen portraits of their children and grandchildren, offering a unique biographical window into the private world of a family bound by art. Alongside a selection of Chua’s renowned landscape paintings and portraits of public figures, the exhibition presents a series of Lee’s exquisite flower paintings she was widely lauded for—a visual realisation of their shared sensibilities, rooted in their passion for realist art, and a quiet reverence for our country.
From glimpses of their shared studio space to works that speak of everyday affection, this presentation harmonises two monumental figures and foregrounds the often invisible labour of love behind art. As Singapore reflects on 60 years of independence, this exhibition reminds us that nation-building is not only about grand gestures, but also the tender, often uncelebrated choices that shape lives and legacies.
This exhibition marks the third instalment in The Private Museum’s exciting lineup of programmes for 2025.
The exhibition will run from 10 July to 21 September 2025.
The Private Museum is delighted to present Love Connects: My Life in Dance by Goh Soo Khim, a book launch accompanied by a special exhibition that offers a glimpse into her journey in dance, her artistic influences, and her enduring legacy in the cultural landscape in Singapore.
Cultural Medallion recipient Goh Soo Khim is a pioneering figure whose influence extends far beyond the stage. As co-founder of the Singapore Dance Theatre (SDT), now known as Singapore Ballet, the doyenne has shaped the landscape of dance in Singapore, nurturing generations of dancers.
Her memoir, as told by Phan Ming Yen, traces a life in motion—chronicling the triumphs, sacrifices, and the devotion that have defined her life in dance and beyond. In dialogue with the book, the exhibition explores vignettes of life-long relationships forged through art and poignant moments from her time with SDT.
The exhibition presents a series of photographs by Robin PE Chee and Tan Ngiap Heng, long-time photographers who have documented SDT’s performances for decades—alongside an intimate selection of works from her private collection, featuring renowned and established artists whose works resonate with her journey. Through the lens of photography and the visual arts, it highlights the artistic collaborations, shared influences, and her enduring love for the arts.
At the heart of both the book and the exhibition is a singular theme—love. Love, in its purest form, is the driving force behind all that Goh Soo Khim has built: the communities she has nurtured, the dancers she has inspired, and the legacy she continues to shape.
The exhibition will run from 21 March to 13 April 2025.
About the Author
Co-founder and Artistic Director of Singapore’s first professional dance company, Singapore Dance Theatre, Goh Soo Khim (b.1944, Singapore) is a highly respected figure in Singapore’s dance scene and has been closely associated with the development of ballet in Singapore. Hailing from a family of well-known dancers, teachers and choreographers, Goh first trained at the Singapore Ballet Academy (SBA) before becoming the first Asian to be admitted to the Australian Ballet School in 1964. She assumed leadership of SBA in 1971 and was actively involved in the dance scene as educator, dancer and choreographer throughout the 1970s and 1980s culminating in the founding of the Singapore Dance Theatre in 1988. Goh was awarded the Cultural Medallion in 1981 and the National Day Public Service Medal in 1989 for her contributions to dance. She was also named Her World magazine’s Woman of the Year in 2008. Goh was inducted to the Singapore Women’s Hall of Fame in 2014.
In conjunction with Singapore Art Week 2025, The Private Museum is proud to present Of Dreams and Contemplation: I am All but a Story – Selections from the Collection of Richard Koh. This exhibition marks the second showcase of Richard Koh’s evolving journey as a collector and gallerist, showcasing over 50 works from his personal collection. This new selection of works reflects an evolving journey that continues to resonate with new meanings in The Private Museum’s expansive space at the Osborne House.
Building upon the narrative of the first instalment in 2019—held at the museum’s former home at 51 Waterloo Street—the second instalment expands the scope of Koh’s deeply personal collection. The first showcase offered an intimate glimpse into Koh’s collection—emphasising monochromatic, abstract, and landscape works that reflected quiet introspection. Now, Of Dreams and Contemplation: I am All but a Story continues to unfold a collection rich in personal meaning—presenting works that trace Koh’s decades-long interactions with art and the artists he admires.
Collected with a focus on memory and emotion, Koh’s private collection spans Southeast Asia and beyond, blending local, regional, and global perspectives. This exhibition deepens the dialogue between art and life, revealing Koh’s ongoing exploration of what he calls a “visual diary”—works that evoke deeply personal moments and emotions.
As both a collector and the founder of Richard Koh Fine Art, Richard Koh has played a pivotal role in shaping and contributing towards the art ecology in Southeast Asia. This collaboration with Richard Koh underscores the collective effort and dedication towards fostering meaningful exchanges between artists, collectors, the arts communities, and audiences from all walks of life.
Kickstarting the Museum’s 2025 programme, Of Dreams and Contemplation: I am All but a Story invites all to explore the richness of art and discover how collections can tell deeply personal stories. As Richard Koh aptly states, “Art, in any collection, should have its own story,” inspiring audiences to embark on their own journey of collecting and storytelling through art.
The exhibition will be run from 9 January to 9 March 2025.
Download our exhibition leaflet for more information here.
Download our exhibition press release here.
The Private Museum Singapore is pleased to present Déjà Vu: When the Sun Rises in the West, an evocative exhibition featuring the works of renowned Thai artist Natee Utarit. In continuation of the first exhibition at Silpakorn University in 2022 commemorating the artist’s return to his alma mater, this historic exhibition now journeys to Singapore, bringing with it a new myriad of selections from local and regional private collections.
Initiated in 2019, the Déjà Vu series proposes an alternative interpretation of history by reframing Western classical knowledge alongside Eastern and Buddhist concepts. This exhibition presents a hypothesis of a reimagined space and time, encouraging the audience to consider scenarios of “what if”—how different historical events might have altered our socio-cultural present. The Déjà Vu series draws inspiration from the artist’s experience in Naples, where a chance encounter with a marble sculpture at the Museo Archeologico sparked a profound connection. This moment of Déjà vu merged memories of Thailand’s Walking Buddha with the classical Western figure, leading the artist to probe further into the intersections between Eastern and Western cultures.
Natee Utarit’s exploration through the series is deeply personal, yet it resonates with universal themes of memory, identity, and culture. Through a diverse array of mediums—including painting, sculpture, embroidery, stained glass, and woodcut—the works serve as a reminder that history is not linear, but cyclical; that the past, present, and future are constantly intertwined in ways that shape our perceptions of the world. By challenging the boundaries of historical plausibility, the exhibition offers viewers a space to consider the possibilities that emerge when traditional narratives are turned on their heads, symbolically represented by the paradoxical notion of the sun rising in the west.
Déjà vu: When the Sun Rises in the West is the final instalment of The Private Museum’s 2024 programming—offering a fitting closure to a year of diverse artistic and cultural exploration. The exhibition is presented in collaboration with Richard Koh Fine Art.
The exhibition will be run from 18 October to 8 December 2024.
Download our exhibition leaflet for more information here.
Download our exhibition press release here.
The Private Museum is pleased to present As One Thing Flows To Another, curated by guest curator Ng Hui Hsien. The exhibition reimagines culture, heritage, and traditions in contemporary contexts—connecting an expansive range of artistic forms through multidisciplinary collaborations. It explores the works of eight visual artists, and features special collaborations with leading Singaporean music charity, The TENG Company as well as Photographer and Author, Dr Chua Yang, daughter of Cultural Medallion recipient Chua Mia Tee. The exhibition celebrates the 20th anniversary of The TENG Company and the launch of the second book in the Women Inspiring Women series by Dr Chua Yang.
As One Thing Flows To Another explores the eight graces within Chinese culture: music, chess, calligraphy, painting, poetry, wine, flowers, and tea. Each of these elements carries a long history and profound philosophies in Chinese culture, evoking images of leisure, serenity, and refinement. Historically, they served as cultural capital, conferring status on practitioners within the realm of the literati. During ancient China, the term “six arts” developed to encapsulate some of these elements, and later, the term “four arts” emerged. In more recent times, the umbrella term “eight graces” is used.
Such observations highlight the creative evolution of language and culture. Embracing the idea of change and departing from a historical understanding, As One Thing Flows To Another reimagines the eight graces in our contemporary context, drawing inspiration from their modern associations. In this exhibition, artworks intertwine and diverge in their characteristics, forming loose and free connections that weave together broad themes of nature, everyday life, and nationhood in contemporary times.
As One Thing Flows To Another invites visitors to experience moments of inspiration, humour, and contemplation, aiming to foster a renewed appreciation for the fluidity of cultural elements and the bending of conventions that shape our world.
The exhibition will be run from 10 August to 22 September 2024.
Download our exhibition leaflet for more information here.
Download our exhibition press release here.
In celebration of the museum’s first anniversary at the Osborne House, The Private Museum is proud to present Strange Connections: Art and Architecture by Richard Hassell. Renowned as the founding director of WOHA Architects, Richard Hassell played a pivotal role in shaping the museum’s new chapter within the historic building.
In May 2023, The Private Museum officially received the keys to the Osborne House, situated atop the hill at 11 Upper Wilkie Road. The century-old house has endured the passage of time, its walls echoing stories. From its colonial-era beginnings as a residence to hosting a myriad of occupants from different historical periods, and now a haven for the arts, the house is a vessel that encapsulates countless narratives.
The exhibition explores the intricate relationship between art and architecture, delving into the historical narratives of Osborne House dating back to the 1830s. As part of research for the museum’s reimagining, Hassell discovered strange connections between the building’s history and his own. The showcase reflects his ongoing investigation into emergent phenomena through playful visual constructions, encouraging contemplation of the interplay between the physical and the abstract, and the historical and the contemporary.
Hassell’s explorations in art began in his childhood, with his practice now spanning drawing, painting, and sculpture. His passion for the scientific, philosophical, and cultural elements of patterns, systems, and networks manifests in both his architecture and art. In particular, his exploration of complex tiling, made public in 2016, had led to exhibitions in Singapore, Taiwan, Europe and the USA.
Strange Connections invites visitors to an exhibition of art and architecture that delves into history, science, and the web of connections that link us all.
The exhibition will be run from 30 May to 28 July 2024.
Download our exhibition leaflet for more information here.
Download our exhibition press release here.
The Private Museum Singapore is pleased to present Make Yourself at Home: A Glimpse into All Welcoming Scenarios, an exhibition at a special interim location, a private residence, since it moved out of its previous home. Having been preparing for its relocation to 11 Upper Wilkie Road, it was also a time for introspection, ruminating on what it means to be ‘The Private Museum’.
The conceptualisation of the exhibition began in part as an existential query into the meaning behind why The Private Museum was founded, and continues to pose similar questions to the public through a multi-focal approach. The exhibition is carved into two parts that correspond to the disciplines of art and design, offering a glimpse of the museum’s upcoming programmes at its new home, which is projected for its inaugural launch in the second half of 2023, on top of its ongoing developments in design and branding.
Revisiting the museum’s key platforms, the exhibition features selected works and practices by artists from Singapore and the Asia Pacific such as Kumari Nahappan, Natee Utarit, Ian de Souza, Andy Yang, and independent curator John Tung. Within the design and branding presentation are an interactive and research-driven showcase presented in collaboration with local design studio Currency as well as a dollhouse model of the museum’s new home, designed by the award-winning WOHA Architects, and produced by Integrus Model.
Drawing from the philosopher Jacques Derrida’s ethics of hospitality, Make Yourself at Home is a double entendre that not only reflects the roots of the museum as a hosting ground for open collaboration with art practitioners and home for private collections, but also the ‘hospitality’ that is shown when a host welcomes guests into their living abode or art space. The locale of the exhibition being in a home is itself an enactment of one such welcoming scenario, serving as an apt reminder of the importance of patronage.
“In order to constitute the space of a habitable house and a home, you also need an opening, a door and windows… a passage to the outside world / to the stranger” says Derrida of hospitality. The exhibition invites viewers to embark on their journey of reflection—whether as a first-time visitor or a devoted museum-goer—to really consider what the words ‘The’ ‘Private’ ‘Museum’ put together as an entity in the arts eco-system could be for them.
This exhibition will run from 7 January to 26 March 2023.
Download our exhibition leaflet for more information here.
In celebration of Singapore’s 48th National Day, The Private Museum presents Hong Zhu An: The Limitless Void, a solo exhibition by internationally-renowned Singapore-based artist, Hong Zhu An. This selection of paintings presents Hong at his prime: an accumulation of his training in China and his experience of living in Australia, and eventually settling in Singapore, where he has lived in for almost 20 years. Hong’s primordial source of inspiration stems from the concept of Wuji (无极), the limitless void, from the I-Ching (易经), Book of Changes. The suggestion of both stillness and movement, Yin and Yang, is a balance of contrasts, which Hong gives prominence to in his work. The highlight of this most recent body of work is the predominantly Black & White paintings, as well as the use of calligraphy, a return to Hong’s original source of inspiration. The calm and peaceful paintings bring the viewer a step closer towards a meditative state of mind.
The Private Museum presents Khoo Sui Hoe: An Overview Part I – The Artist Collection from 1980s to Present, the first of a two-part major exhibition of the Malaysian painter, Khoo Sui Hoe. Known for his inimitable surrealistic stylisation of masks, figures and landscapes, this selection comprises of 25 paintings from the Artist’s private collection.
A former graduate from the Nanyang Academy of Fine Arts in 1961, Khoo was under the tutelage of Cheong Soo Pieng and Georgette Chen. Following his move from Malaysia to the West in 1982, this collection portrays Khoo’s evolving artistic practice and development which spans Singapore, Malaysia and United States.
This exhibition will continue to Khoo Sui Hoe: An Overview Part II – The Patron, Datuk Seri Lim Chong Keat’s Collection which consists of Khoo’s earlier works from the 1960s to 1980s. Highlights include significant works presented from the Patron’s perspective, including Children of the Sun as collected by distinguished collector and lifelong friend.
In conjunction with the Voilah! French Festival Singapore, The Private Museum is proud to present Chernobyl Today by Singapore-based French photographer Christophe Malcot to commemorate the 30th anniversary of the Chernobyl’s nuclear power plant catastrophe in 1986.The photography exhibition showcases a selection of 38 black-and-white photographs; 12 of which are in the unusual 100x40cm format.
Taken in 2015, Malcot’s black-and-white photographs paint a story with a sweet-and-sour after-taste that cannot leave anybody unmoved; a cautionary tale of sorcerer’s apprentice gone awfully wrong; a story of degeneration and regeneration; a story of hope as nature, unhindered by man, slowly reclaims its rights and takes over hubristic and now derelict man-made structures.
The Private Museum is proud to present Han Sai Por: Secret Landscapes – A Bali Purnati Artist Residency by one of Singapore’s leading sculptors and cultural medallion recipient, Han Sai Por. The exhibition marks the museum’s second collaboration with Yayasan Bali Purnati, as well as the artist’s inaugural solo acrylic-medium focused exhibition.
Nature has been always one of Han’s core influences in her practice. With vigour and tenacity, she immersed herself in the rich textures of natural landscapes and traversed in the untamed terrains of the mystical Indonesian island of Bali. Han’s new body of works captures the essence of Balinese topography—allowing the viewer to delve into the depth of her art practice.
The highlights of the exhibition include artistic interpretations of various geographical visits: the volcanic regions of Mount Batur and Mount Agung, the pristine beaches of Amed, Ketewel and Bias Tugel, the crashing waves of Water Blow Nusa Dua, and the expansive rice terraces of Jatiluwih.
In conjunction with the Singapore Biennale 2016: An Atlas of Mirrors, The Private Museum is proud to present Ahmad Abu Bakar & Suriani Suratman: Tanah Air (Homeland)—the first collaboration between visual artist Ahmad Abu Bakar and ceramic artist Suriani Suratman, in which they explore the theme of Tanah (Land) & Air (Water) and its significance to the notion of homeland. The exhibition features a new body of clay works where the artists share a dialogue on the prominence of the natural elements, Tanah and Air.
Ahmad explores the nuances of homeland, expressing his relationship with the land as a component of his identity and embracing it as an inherited gift. His series of three distinct bodies of works, fittingly titled Tanah Ku Sayang, hints at his affection for his adopted motherland where he looks into the complexity of identifying with land in relation to nationality. Suriani addresses the importance and necessity of water in the form of rain and river—the primary source of life and creation. Her works interpret the expression tadah tangan—to cup the hand and contain—and examines expression in movement as a symbolic suggestion of one rejoicing when the rain comes.
Their probe into the interplay of Tanah and Air is an attempt to uncover the allure of the semantic duality of homeland. Through the use of clay as a unified medium of artistic expression, the exhibition reflects the artists’ exploration of the shared historical origins of the region and the conception of Homeland as a mirror to their identities drawing parallel with An Atlas of Mirrors.
The Private Museum is pleased to present Echoing Fragments by Singaporean abstract collage artist and painter, Lim Tiong Ghee. This exhibition marks the first venture by the museum to send a Singaporean artist to Yogyakarta under its Artist-in-Residence programme. This two-week trip to Yogyakarta was part of an ‘Artist Visit’ supported by Cemeti – Institute for Art and Society.
In the course of Lim’s travels, he visited cultural monuments such as the famous sacred temples, Borobudur and Prambanan, now commemorated as UNESCO World Heritage sites. In addition, his sojourn in Yogyakarta’s thriving artist community yielded many exchanges with the artist studios and art spaces. The batik craft centres and museums in the cities of Solo and Yogyakarta were key locales during his short tarriance in Indonesia.
This exhibition features a body of collage paintings that is part of a decades-long exploration of imprinting his personal experiences into collages. In the brief two weeks of his visit, the collage artworks birthed from the journey emphasises on the batik elements’ interaction with floral motifs, weaving what appears to be the cultural and the physical into a realm of its own through the use of negative space never before seen in his works. The luminous projection of colours present in these works also reflects the envelopment of warmth in the Indonesian atmosphere.
Yogyakarta is known for its significance in Buddhist and Hindu kingdoms, with Borobudur and Prambanan standing testament to the rich cultural narratives surrounding the province. Not disregarding the prolific symbolisms present in both beliefs, Lim’s works further expound on various forms, figures and textures commonly depicted as religious motifs in the two beliefs.
The body of works presented here is the culmination of Lim’s interactions with the culture and people of Yogyakarta and Solo as well as his own introspection of the differing essences between his homeland and its neighbour. Immersed in the social landscape of Indonesian culture, Lim melds his feelings in reciprocation to the aura of amiability encountered throughout the trip, expressing it as a continuum in Echoing Fragments.
“Building, structure, edifice. Home, office, organisation. Community, city, country. Shelter, safety, comfort. Identity, memory, history. 99-year lease, freehold, 3+3+3, Master Plan.”
The Private Museum Singapore (TPM) is pleased to present 3+3+3: On Condition—a group exhibition curated by Andrea Fam. This marks the third edition of TPM’s Guest Curator Platform—collaborating with guest curators to support and experiment with independent curatorial practice through the presentation of different perspectives of our world. This interdisciplinary exhibition will feature both new and ongoing works by five artists and architects including artist duo Finbarr Fallon & Claire Goh, Geraldine Kang, Michael Lee, Mervin Loh and Isabella Teng Yen Lin.
Our governing bodies, architects, invisible labour, civilians, new and temporary residents have seamlessly infused their own histories and intimate memories into the foundational and poignant blueprints of our small island nation. Borrowing its namesake from the commercial lease agreement under the Singapore Land Authority (SLA), 3+3+3 explores these unseen psycho-spatial associations and the complexities of our urban planning while musing on the ephemeral nature of space and place-making in our land-scarce city.
Through preparatory sketches, utopian models, performative engagements and satirical ‘white papers’, this exhibition is an open-ended invitation to reflect on our ever-evolving relationships with our urban environment. Engaging our different senses, these works contemplate notions of nostalgia and transience while considering the overlooked inhabitants of Singapore.
Having served as an independent arts platform for the past 11 years, 3+3+3 marks TPM’s last exhibition in our home at 51 Waterloo Street. Such is the life of built spaces in our metropolis—though they bestow us with character, identity and heritage, we confer them with impermanence and dispensability, provocating the question, “If buildings retain the lived histories imbued into them, shouldn’t we consider their embodied human spirit?”