About the Author

Co-founder and Artistic Director of Singapore’s first professional dance company, Singapore Dance Theatre, Goh Soo Khim (b.1944, Singapore) is a highly respected figure in Singapore’s dance scene and has been closely associated with the development of ballet in Singapore. Hailing from a family of well-known dancers, teachers and choreographers, Goh first trained at the Singapore Ballet Academy (SBA) before becoming the first Asian to be admitted to the Australian Ballet School in 1964. She assumed leadership of SBA in 1971 and was actively involved in the dance scene as educator, dancer and choreographer throughout the 1970s and 1980s culminating in the founding of the Singapore Dance Theatre in 1988. Goh was awarded the Cultural Medallion in 1981 and the National Day Public Service Medal in 1989 for her contributions to dance. She was also named Her World magazine’s Woman of the Year in 2008. Goh was inducted to the Singapore Women’s Hall of Fame in 2014.

The Private Museum Singapore is pleased to present Make Yourself at Home: A Glimpse into All Welcoming Scenarios, an exhibition at a special interim location, a private residence, since it moved out of its previous home. Having been preparing for its relocation to 11 Upper Wilkie Road, it was also a time for introspection, ruminating on what it means to be ‘The Private Museum’.

The conceptualisation of the exhibition began in part as an existential query into the meaning behind why The Private Museum was founded, and continues to pose similar questions to the public through a multi-focal approach. The exhibition is carved into two parts that correspond to the disciplines of art and design, offering a glimpse of the museum’s upcoming programmes at its new home, which is projected for its inaugural launch in the second half of 2023, on top of its ongoing developments in design and branding.

Revisiting the museum’s key platforms, the exhibition features selected works and practices by artists from Singapore and the Asia Pacific such as Kumari Nahappan, Natee Utarit, Ian de Souza, Andy Yang, and independent curator John Tung. Within the design and branding presentation are an interactive and research-driven showcase presented in collaboration with local design studio Currency as well as a dollhouse model of the museum’s new home, designed by the award-winning WOHA Architects, and produced by Integrus Model.

Drawing from the philosopher Jacques Derrida’s ethics of hospitality, Make Yourself at Home is a double entendre that not only reflects the roots of the museum as a hosting ground for open collaboration with art practitioners and home for private collections, but also the ‘hospitality’ that is shown when a host welcomes guests into their living abode or art space. The locale of the exhibition being in a home is itself an enactment of one such welcoming scenario, serving as an apt reminder of the importance of patronage.

“In order to constitute the space of a habitable house and a home, you also need an opening, a door and windows… a passage to the outside world / to the stranger” says Derrida of hospitality. The exhibition invites viewers to embark on their journey of reflection—whether as a first-time visitor or a devoted museum-goer—to really consider what the words ‘The’ ‘Private’ ‘Museum’ put together as an entity in the arts eco-system could be for them.

This exhibition will run from 7 January to 26 March 2023.

Download our exhibition leaflet for more information here.

The Private Museum presents an inaugural collaboration between two Singaporean artists, Chow Chee Yong and Tang Ling Nah, who cross paths for the first time. Chow juxtaposes different locations with a single shot, creating an ambiguous “Void” that exists only within the photograph. On the other hand, Tang suggests the extension of space through her charcoal drawings of the city’s transitory spaces such as “Void Decks”, corridors and underground passageways. This exhibition attempts to document two artists’ individual journeys as well as their collaborative interactions. We question what is real and what is imaginary; as the photograph becomes a drawing, and the drawing becomes a photograph…

The Private Museum (TPM) Singapore is pleased to present Repeat, Repeat, Repeat; revising the phenomenon of printing—a group exhibition curated by Zaki Razak. This marks the second edition of the TPM Guest Curator series—collaborating with Guest Curators to facilitate and support independent and experimental curatorial practice, and to present different perspectives on our world. The exhibition will feature works by seven artists including Miguel Chew, Weixin Chong, Mona Choo, Urich Lau, Nadia Oh, Shin-Young Park, and Yeo Shih Yun.

There have been numerous exhibitions based on traditional printing methods and the expanded practice of artists who adopted painterly approaches; explored a certain degree of experimentation; challenged the convention in what is permissible; and demonstrated sophisticated control of process. What seems more substantial is the repeating pattern of thematic exhibitions, which emphasized on the possibilities of print. There seems to be a similar sentiment towards an often-repeated source, the rockstar of printmaking, Albrecht Dürer. His works are the first to be considered the most refined and celebrated due to their meticulous and dynamic forms which never fail to feed on our sight.

One definite consensus made is not to realise a medium-based approach exhibition but to break open the closed system of perception of printmaking and to instil a point of discussion on the phenomenon of printing; responding to the essence of the tradition or the emergence of the mechanism of multiplication and repetition; the context of its evolution and revolution; and what its consequences are in this day and age. The artists’ visual responses in forms and formation are meant to be symbolic visual cues to the journey of printing towards a knowledgeable ascent—to bring a certain degree of consciousness. What was before and after the invention of the Gutenberg printing machine and how did printed matter change or affect the human condition?

The Private Museum (TPM) Singapore is delighted to present Clear Light by Australian artist, Ian de Souza. The exhibition marks the artist’s debut showcase in Singapore after more than four decades of practising art.

Born in 1939 in then Malaya, de Souza grew up in a period of turbulence. He spent his early years in Singapore and Malaysia under colonial British and Japanese rule before moving to New South Wales, Australia at the age of 16. Between the 1960s-70s, the artist toured the world as a musician, performing alongside pop icons such as the Bee Gees, before becoming a full-time artist in 1980.

Clear Light is a response from the artist to his lifelong pursuit of passion, knowledge and technical mastery, and the realisation that comes from years of thoughtful introspection. In this homecoming exhibition, visitors will get to experience de Souza’s latest series of paintings – which explore the artist’s contemplations on life as well as a revisit of his Eastern heritage, spirituality, and harmony.

The Private Museum (TPM) Singapore is pleased to present I am a CON artist: Continuous Contemplations of Justin Lee. The exhibition is a special collaboration between artist, collector and space, locating itself in two spaces with a main exhibition and special showcase happening in conjunction with Singapore Art Week 2021.

Alongside a selection of past works from The Teng Collection, a new body of works will also be exhibited, building upon Justin Lee’s continuous contemplations on his identity as an artist and member of civil society. The artist employs visual and cultural references to provide social commentary on the perennial issues of consumerism and individualism, which in today’s digital age of instant gratifications and everyday glorifications become exponentially magnified.

Composed of paintings, text-based artefacts, performance and interactive art installation, the exhibition confronts its audience not only with the ceaseless forces of rapid globalisation and hyper digitalisation, but also challenges them to examine their individual complicity in glorifying and immortalising one’s self in the everyday.

Through this special collaboration, TPM expands beyond its scope as a home for private collectors by merging its artist and collector platforms to present the interconnectedness and intimate relationships that form between artists, collectors, art spaces, and their audiences.

Featuring Justin Lee’s monumental installations from The Teng Collection, the one-week special showcase reflects the artist’s expanding oeuvre that explores the themes of identity and socio-cultural norms in Singapore across a variety of mediums. The showcase forms part of the exhibition I am a CON artist: Continuous Contemplations of Justin Lee, happening in conjunction with Singapore Art Week 2021.

In conjunction with Singapore Art Week 2020, The Private Museum (TPM) Singapore is pleased to present Emerging: Collecting Singapore Contemporary – Selections from the DUO Collection. As part of TPM’s 10th anniversary celebrations, the museum revisits its foundation of bridging the private and the public; this exhibition is the first in a series of five featuring an array of private collections in Singapore.

The DUO, whose collectors prefer to remain anonymous, started building their collection five years ago with a focus to support emerging artists in Singapore and Southeast Asia, though they have been collecting widely for more than a decade.

Emerging is the inaugural showcase of selected works collected in the past five years featuring 16 Singapore-based artists. These works reflect some of Singapore’s emerging urgencies in recent years by responding to themes of identity, migration, urbanisation, the environment, places and spaces. The exhibition seeks not only to stimulate new conversations on Singapore contemporary art through the lens of private collectors, but also to expand on their role in the art eco-system as imperative patrons of the arts.

The Private Museum (TPM) Singapore is pleased to present Silhouettes: Collecting Singapore Modern – Selections from the Collection of Su-Yen Wong and Fermin Diez. As part of TPM’s 10th anniversary celebrations, the museum revisits its foundation of bridging the private and the public; this exhibition is the second in a series of five featuring an array of private collections in Singapore.

Initiated in 2007, the couple’s private collection of selected artworks by first- and second-generation Singapore artists is laser-focused, involving careful deliberation and intensive research. The collection allows viewers a glimpse of everyday life in Singapore in its early decades of growth and development.

The exhibition features select modern masterpieces by the likes of Cheong Soo Pieng, Chua Mia Tee, Lim Cheng Hoe and more. These paintings capture the places and people from a bygone time, the snippets and silhouettes of an idyllic Singapore now past.

In response to the rapidly evolving COVID-19 situation, we have launched a virtual experience of the exhibition as part of our commitment to bringing art closer to you, the public and our patrons, in the comfort of your homes. Experience the online exhibition here: https://theprivatemuseum.wixsite.com/silhouettes

The Private Museum (TPM) Singapore presents Mediations: A Selection of Works by Ulrich Sante, a digitised exhibition experience in collaboration with the German Ambassador to Singapore Dr Ulrich Sante. Building on our mission to bridge the private and public by facilitation an exchange of ideas across cultures, Mediations celebrates the bilateral ties forged between Singapore and Germany, and importantly offers a glimpse into the converging worlds of art and diplomacy.

This digital project emerged as a result of the COVID-19 crisis which prompted us to rethink how we engage with our audiences and adapt to new norms of virtual experiences. Bringing the exhibition experience to the residence of the German Ambassador, this short film will feature a rarely-seen body of selected artworks by Dr Sante, who, beyond his diplomatic duties, is not only a keen appreciator of the arts, but a passionate contemporary visual artist at heart. Viewers will also be able to witness Dr Sante in conversation with Singapore Ambassador-at-Large Professor Tommy Koh.

Since his inaugural exhibition 18 years ago in Brussels, Dr Sante’s artistic practice focuses primarily on working with everyday found materials such as wood, metal and bricks in creating sculptural works. Throughout his practice, the artist explores mankind’s relationship with nature, which, on one hand may seem at odds with each other, but can also be complementary and in harmony. His works can be found in private collections in Germany, France, Belgium, Great Britain, Lithuania, Austria and the United States.

The Private Museum (TPM) Singapore is pleased to present Search and Discover: The Joy of Collecting – Selections from the Yeap Lam Yang Collection. TPM revisits its foundation of bridging the private and the public in this year’s final and largest exhibition that forms part of the museum’s 10th anniversary programming, featuring an array of private collections in Singapore.

Co-curated by Aaron Teo and Beverly Yong, the exhibition features 65 carefully selected works by 35 artists from the Asia-Pacific region from the Yeap Lam Yang collection, spanning over three decades. While the works are categorically small—the exhibition’s curatorial theme intentionally limits the size of the works to 60 cm by 60 cm—there is nary a “smallness” in their significance. Each work is precious and treasured, each a symbolic step into the collector’s foray into the art world as a patron and supporter of the arts.

Search and Discover: The Joy of Collecting unravels the process of exhibition-making and reveals the joy of collecting; discovering and revisiting artists, a rekindling of old relationships, and a forging of new ones. Yeap Lam Yang’s apt reminder that “there is good art everywhere waiting to be uncovered” is an invitation to all viewers to chart their individual, personal journeys in search and discovery of art and artists, new and familiar.

“Building, structure, edifice. Home, office, organisation. Community, city, country. Shelter, safety, comfort. Identity, memory, history. 99-year lease, freehold, 3+3+3, Master Plan.”

The Private Museum Singapore (TPM) is pleased to present 3+3+3: On Condition—a group exhibition curated by Andrea Fam. This marks the third edition of TPM’s Guest Curator Platform—collaborating with guest curators to support and experiment with independent curatorial practice through the presentation of different perspectives of our world. This interdisciplinary exhibition will feature both new and ongoing works by five artists and architects including artist duo Finbarr Fallon & Claire Goh, Geraldine Kang, Michael Lee, Mervin Loh and Isabella Teng Yen Lin.

Our governing bodies, architects, invisible labour, civilians, new and temporary residents have seamlessly infused their own histories and intimate memories into the foundational and poignant blueprints of our small island nation. Borrowing its namesake from the commercial lease agreement under the Singapore Land Authority (SLA), 3+3+3 explores these unseen psycho-spatial associations and the complexities of our urban planning while musing on the ephemeral nature of space and place-making in our land-scarce city.

Through preparatory sketches, utopian models, performative engagements and satirical ‘white papers’, this exhibition is an open-ended invitation to reflect on our ever-evolving relationships with our urban environment. Engaging our different senses, these works contemplate notions of nostalgia and transience while considering the overlooked inhabitants of Singapore.

Having served as an independent arts platform for the past 11 years, 3+3+3 marks TPM’s last exhibition in our home at 51 Waterloo Street. Such is the life of built spaces in our metropolis—though they bestow us with character, identity and heritage, we confer them with impermanence and dispensability, provocating the question, “If buildings retain the lived histories imbued into them, shouldn’t we consider their embodied human spirit?”